Karen Joy Fowler

Razor-sharp…Fowler sets the stage in remarkable prose….The nuanced plot is both historically rigorous and richly imagined. This is a winner.

It’s been nine years since we had a new Karen Joy Fowler novel. . . . It’s definitely one we deserve.

Fowler presents an omniscient, bird’s-eye view of these lives, along with a nod to what could be apocryphal. The result is an engrossing portrayal of a nineteenth-century family living through the U.S.’ most turbulent era.

Booth is a triumph! No one writes like Karen Joy Fowler, and in this gripping family saga, she has taken a piece of American history we thought we knew and told it slant. With wit, heart, and revelatory insight,  she teases ghosts from their shadows, transforming the way we see the past, shedding new light on our troubled present.”

Like Tolstoy before her, and Natalia Ginzburg, Karen Joy Fowler understands that the only way to write about history is as clattery, complex dramas of ordinary people and their families—they become the stuff of history later. Booth is a subtly devastating meditation. . . . Its world—dense, granular, intricate—is created with immense care and precision, and rendered in prose of limpid, lyrical beauty. This is her finest, most beautiful novel to date.

What an extraordinary story. What a family. Gripping, clever, and the central issue is alive and kicking today.

A splendid book, displaying a dazzling range of style, tone, and odd, true insights. Fowler is one of a kind.

Fowler’s interests here are in what sets humans apart from their fellow primates. Cognitive, language and memory skills all come into playful question. But the heart of the novel—and it has a big, warm, loudly beating heart throughout—is in its gradually pieced-together tale of family togetherness, disruption and reconciliation. We Are All Completely Beside Ourselves is Fowler at her best, mixing cerebral and emotional appeal together in an utterly captivating manner.

Elegantly and humorously orchestrated…Knitting together Rosemary’s at times poignant, at times hilarious scraps of uncovered memories, Fowler creates a fantastical tale of raw, animalistic love.

[The novel] lies somewhere between psychological thriller, scientific theory and coming-of-age story, a seemingly untenable combination. But Fowler, through wit and mastery of her craft, handles the complexity effortlessly.

This brave, bold, shattering novel reminds us what it means to be human, in the best and worst sense.

Rosemary’s voice—vulnerable, angry, shockingly honest—is so compelling and the cast of characters, including Fern, irresistible. A fantastic novel: technically and intellectually complex, while emotionally gripping.

Piquant humor, refulgent language, a canny plot rooted in real-life experiences, an irresistible narrator, threshing insights, and tender emotions—Fowler has outdone herself in this deeply inquisitive, cage-rattling novel.

A strong, unsettling novel…Fowler explores the depths of human emotions and delivers a tragic love story that captures our hearts.

Rosemary’s experience [is] a fascinating basis for insight into memory, the mind, and human development.

In this curious, wonderfully intelligent novel, Karen Joy Fowler brings to life a most unusual family. Wonderful Fern, wonderful Rosemary! Through them we feel what it means to be a human animal.

Karen Joy Fowler has written the book she’s always had in her to write. With all the quiet strangeness of her amazing Sarah Canary, and all the breezy wit and skill of her beloved Jane Austen Book Club, and a new, urgent gravity, she has told the story of an American family. An unusual family—but aren’t all families unusual?  A very American, an only-in-America family—and yet an everywhere family, whose children, parents, siblings, love one another very much, and damage one another badly.  Does the love survive the damage?  Will human beings survive the damage they do to the world they love so much?  This is a strong, deep, sweet novel.

We Are All Completely Beside Ourselves is a dark cautionary tale hanging out, incognito-style, in what at first seems a traditional family narrative. It is anything but. This novel is deliciously jaunty in tone and disturbing in material. Karen Joy Fowler tells the story of how one animal—the animal of man—can simultaneously destroy and expand our notion of what is possible.

You know how people say something is incredible or unbelievable when they mean it’s excellent? Well, Karen Joy Fowler’s new book is excellent: utterly believable and completely credible – a funny, moving, entertaining novel that is also an important and unblinking review of a shameful chapter in the history of science.

It’s been years since I’ve felt so passionate about a book. When I finished at 3 a.m., I wept, then I woke up the next morning, reread the ending, and cried all over again.

This unforgettable novel is a dark and beautiful journey into the heart of a family, an exploration of the meanings of memory, a study of what it means to be ‘human.’ In the end the book doesn’t just break your heart; it takes your heart and won’t give it back.

A funny, stingingly smart, and heartbreaking book. Among other things, it’s about love, family, loss, and secrets; the acquisition and the loss of language. It’s also about two sisters, Rosemary and Fern, who are unlike any other sisters you’ve ever met before.

An astonishing narrative voice, at once lyric and ironic, satiric and nostalgic . . . Fowler can tell stories that engage and enchant

Unforgettable... Incandescent…Bewitching.

A playful, mysterious, highly imaginative narrative set in the San Francisco of the 1890's...Robust, sly, witty, elegant, unexpected and never, ever, boring.

Fowler's understated wit and storytelling skills are in full flower